Ambrose & Elsewhere

I don’t know if it’s come up before here, but my novel Blood of Ambrose is due out from Pyr in April. Publishers Weekly gives it a review today that glows in dark colors. I was startled and pleased. (I don’t know if the book is “unrelentingly grim,” though; “relentingly grim,” perhaps.) (That’s not my book at the top of the PW webpage, by the way–of course, I would be qualified to write it. At least proofread it. Okay, enough with the lies: I’m not sure what a supersexpert is, and I’m somewhat skeptical about the credentialling process.)

Word on the street is that the Audible.com audio version will be available April 21.

A big volume of Oscar Wilde’s stuff has been my bedside book for a couple days. Here’s a nifty from his essay “The Decay of Lying” (by which he really seems to mean fantasy–if OW ever really can be said to really mean anything at all):

No doubt there will always be critics who, like a certain writer in the Saturday Review, will gravely censure the teller of fairy tales for his defective knowledge of natural history, who will measure imaginative work by their own lack of any imaginative faculty, and will hold up their ink-stained hands in horror if some honest gentleman, who has never been farther than the yew-trees of his own garden, pens a fascinating book of travels like Sir John Mandeville, or, like great Raleigh, writes a whole history of the world, without knowing anything whatsoever about the past. To excuse themselves they will try and shelter under the shield of him who made Prospero the magician, and gave him Caliban and Ariel as his servants, who heard the Tritons blowing their horns round the coral reefs of the Enchanted Isle, and the fairies singing to each other in a wood near Athens, who led the phantom kings in dim procession across the misty Scottish heath, and hid Hecate in a cave with the weird sisters. They will call upon Shakespeare—they always do—and will quote that hackneyed passage forgetting that this unfortunate aphorism about Art holding the mirror up to Nature, is deliberately said by Hamlet in order to convince the bystanders of his absolute insanity in all art-matters.

1. The AV Club is still running its series of reviews of Star Trek: The Series Without a Subtitle. Over at the Pyr-O-Mania blog a posted some semi-thoughts about the modern paucity of cool character actors like Ted (“Lurch”) Cassidy, or Reggie (“I Still Have Nightmares”) Nalder or, for that matter, Michael (“Dr. Miguelito Loveless”) Dunn.

2. After I Blished-out, as it were, in the Blog Gate last week, the AV Club’s Kevin Phipps published a thoughtful review of A Life for the Stars–chronologically the second of the “Cities in Flight” books, although it was published last. I don’t say these things are causally related; they aren’t. I just note the great Blishing in the Zeitgeist, is all.

3. I do other things than read the AV Club and watch Star Trek. Unfortunately, on advice of counsel, I’ve decided not to blog about them. (Although I’m convinced some of that stuff is covered under the double jeopardy rule.)

Jason Waltz tells me my author-interview for “The Red Worm’s Way” has gone live at the Rogues Blades site. It is there that I finally tell all about everything, except on the questions I forgot to answer.

My latest post at the Blog Gate is up. It’s about sf/f criticism (not Bulwer-Lytton, sadly).

And it looks like I’m going to be late to my first class, so I guess this is the morning I try out those new teleportation skills. (The instructor said that if I paid him in cash they’d start to work right away, so of course I did. I’m no fool.)

As an intermittent mackerel-snapper, every now and then I look around at what is supposed to be my church and feel like the guy in Ionesco’s Rhinocéros who looks around and sees everyone turning into a rhino. And when I read a story like this, I’m pretty sure the wrong guy is pope.

Speaking of Ionesco, I saw an amateur production of “The Bald Soprano” this weekend that was mindblowing. The actors were high school students and (candidly) I wasn’t expecting much. The play’s lines are so meaningless, or so mind-trappingly nonsensical (not the same thing, I guess), that almost everything depends on the delivery, which was great, especially in the penultimate conversation scene, where the actors’ timing was flawless. I wish I had a sample to post here. (“My theater-of-the-absurd let me show it to you.”) But it was a great reminder of how important theater, even amateur theater, can be, something I’m apt to forget here in the Great Black Swamp, which does not possess one of the great theater districts in the world.

On another note, I celebrated Superbowl Sunday by going to a movie (as I usually do): this year’s non-football was Taken, the Liam Neeson vehicle. It’s a pretty good movie, if you don’t mind seeing lots of people get shot. (I mean that unironically.) Some reviews I’ve seen suggest that this is beneath an actor of Neeson’s caliber. But, as the first movie I saw him in was probably Darkman, I can’t agree.

Sorry I’ve been so long getting back to people. My internet access got knocked out by the weather (apparently) and I wasn’t able to log on for 36 hours.

However, I did get a lot of proofreading done, so it wasn’t for nothing.

My Blog Gate post for the week is up. It’s a predictable rant about the Grauniad‘s list of sf/f novels that “everyone must read”.

Executive summary: “What about Binky ‘Bosco’ Sorenson? Greatest science fiction writer who ever lived. Knew nothing about science or fiction, but I read something of his when I was thirteen, so everyone ought to bow down before him. No, Nurse Ratchet, I do not feel like a nap.”

Lather, rinse, repeat.

I dreamed I was in the back seat of a car driving north along the Mississippi. It was late afternoon. I remember looking eastward and seeing the broad water glare suddenly with fiery light and there was a roar unlike thunder. The sky was clear, but marked with something like jet contrails. It happened again and again: the light and the earth-shaking noise.

“Are those meteors?” I asked finally.

There was an embarrassed silence. Everyone else seemed to know what was going on, and no one else seemed to think it unusual.

“I guess so,” someone up front said finally.

Someone beside me suggested that we leave the car and go down by the river’s edge. The theory seemed to be that the river bluffs would give shelter from the meteor impacts. It sounded pretty naive.

Nobody else said anything. The meteors continued to fall.

We were deep in the city now, still going north. It was strangely empty.

We passed an intersection where a woman stood, an infant in her arms, next to a stalled car. A cop in a Ramsey County sheriff’s uniform was walking indifferently away from her toward his own vehicle, talking on his radio. I met the woman’s gaze as we passed; her eyes were darkly ringed, despairing.

“Shouldn’t we go back and give that woman a ride?” I asked.

Nobody else said anything. The meteors continued to fall. We drove on north through the gathering dark.

I have no idea how many words I produced in this weekend’s writing binge, but I took the last step tonight on This Crooked Way (the sequel to Blood of Ambrose). I’ll have to read through it a couple times to catch typos and blunders, but it should be on its crooked way soon.

Which is great, since it’s over three weeks past its due date. So this is more of a confession than a boast.