Actaeons Have Consequences

“διὰ τί, πολλῶν ὄντων ἐν Ῥώμῃ ναῶν Ἀρτέμιδος, εἰς μόνον τὸν ἐν τῷ καλουμένῳ Πατρικίῳ στενωπῷ ἄνδρες οὐκ εἰσίασιν;”

ἢ διὰ τὸν λεγόμενον μῦθον; γυναῖκα γὰρ αὐτόθι τὴν θεὸν σεβομένην βιαζόμενός τις ὑπὸ τῶν κυνῶν διεσπάσθη, καὶ ἀπὸ τούτου δεισιδαιμονίας γενομένης ἄνδρες οὐκ εἰσίασιν.

—Plutarch, Quaestiones Romanae

“Why, of all the temples of Diana in Rome, is there one in the Vicus Patricius where men do not enter?”

Is it because of this story that’s told? In that place a man assaulted a woman dedicated to the goddess and was torn to pieces by dogs and (because a fear of the gods arose from this) men don’t go in there.

This reminded me of the Actaeon story, with some significant differences.

As told by Ovid (Metamorphoses 3.138-250), Actaeon makes an innocent mistake and happens upon Diana (Greek Artemis) while she’s bathing naked in a pool. She transforms him into a deer and he’s hunted to death by his own dogs.

A man in hunting gear who has the head of a stag looks perplexedly at a group of naked women in a bath, one of whom is giving him the Death Stare.
Jean Mignon (after Luca Penna), “The Metamorphosis of Actaeon”

Ovid seems to shape his stories of the gods to make them more culpable, and maybe Plutarch’s story suggests another (earlier? later?) version where Actaeon’s metamorphosis is due to actual crimes on his part (assault and blasphemy), rather than the whim of an offended deity.

About JE

James Enge is the author of the World-Fantasy-Award-nominated novel Blood of Ambrose (Pyr, April 2009). His latest book is The Wide World's End. His short fiction has appeared in Black Gate, Tales from the Magician's Skull, The Magazine of Fantasy and Science Fiction and elsewhere.
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